On January 22nd, the fourth-year students' scenic podium took place at the Dresden University of Music to mark the end of the semester. The evening's theme was Abysses . Alexander Rampp performed the role of the mule driver in Carl Orff's opera Die Kluge and the role of the husband in Bernhard Lang's opera Re:igen . The two roles could hardly have been more contrasting: one lighthearted and comic, the other dark and violent.

Alexander Rampp ended the year 2025 with three performances. In Munich he sang the Pastoral Mass by Karl Kempter, the Oratorio de Noël by Camille Saint-Saëns and Joseph Haydn's Nicolaimesse .

On December 7th, Alexander Rampp sang Bach's Magnificat and parts I, V and VI of the Christmas Oratorio in the German Evangelical Christ Church in Paris . Under the direction of Thibault Lam Quang, the choir and orchestra Les Temperamens Variations performed, along with soloists Johanna Kaldewei, Jennifer Gleinig, Jan Kobow and Sebastian Obrecht, in addition to Alexander Rampp.

On the 20th and 21st, two performances of the opera Krabat took place at the Zittau Theatre. The last two performances in Görlitz will take place on December 27th and in the new year on January 25th.

On November 1, 2025, Alexander Rampp sang as a soloist in Munich in Joseph Haydn's Missa Sancti Bernardi de Offida in B-flat major , known as the Holy Mass. Mendelssohn's double quartet "Denn er hat seinen Engeln" was also performed. On November 3, 2025, Alexander Rampp could be heard as a soloist in Niccoló Jommelli's Requiem .

On September 20th, the operetta showcase "Ein ehrenwertes Haus oder In dubio pro libido " (An Honorable House or In Dubio Pro Libido) took place at the Dresden University of Music. Under the stage direction of Kay Link and the musical direction of Christian Garbosnik, the students spent over a week developing an entertaining and vibrant operetta program. The performance was enthusiastically received. The performance was received with enthusiasm.

The premiere of the Dresden University of Music's production took place on April 12th. The performance was of "The White Rose" in its original 1967 version by Udo Zimmermann. Alexander Rampp sang the role of Professor Kurt Huber . It was a moving and impressive performance of this work, which was being staged for the first time since 1967. The audience was thrilled by the deeply moving performance. Further dates with Alexander Rampp are on April 17th, April 29th and Ma

From March 7th to 9th, Alexander Rampp participated in a masterclass with Juliane Banse. The course was organized by the Richard Wagner Association of Munich. Many thanks to them! The course concluded with a concert on March 9th, in which the singers presented the pieces they had worked on. Alexander Rampp sang "Vi ravviso" from Bellini's opera La Sonnambula and the Landgrave's address "Gar viel und schön wart hier" from Richard Wagner's Tannhäuser .

On February 23, the Icking Vocal Ensemble, conducted by Peter Marino, performed works by Michael and Joseph Haydn. Alexander Rampp sang the bass solos in Michael Haydn's Requiem . The concert was completely sold out.

On October 24th, the scholarship recipients' concert of the Deutschlandstipendium (Germany Scholarship) took place in the Great Hall of the Dresden University of Music. Alexander Rampp sang works by George Frideric Handel and Albert Lortzing. A reception followed, providing an opportunity for the sponsors and musicians to network.

After six highly successful performances, the opera Dante – From Inferno to Paradise was performed for what is currently its final time at the Hof Theatre on July 12th. The first opera by Hollywood composer Patrick Cassidy was met with enthusiastic standing ovations from the audience each time. It was also the final directorial work of outgoing artistic director Reinhardt Friese and the last performances by conductor Ivo Hentschel at the Hof Theatre. Great appreciation is d

As part of the opera scene studies program at the Dresden University of Music, an opera recital takes place every semester. To conclude the academic year, Alexander Rampp presented the opening duets and the aria "Se vuol ballare" from Wolfgang Amadeus Mozart's opera Le nozze di Figaro .

For the module examination of the second year of study, Alexander Rampp sang the songs "O wüsst ich doch den Weg zurück" by Johannes Brahms and "Reiselied" by Felix Mendelssohn-Bartholdy, as well as the arias "Sorge infausta" from the opera Orlando by George Frideric Handel and "Fünftausend Taler" from the opera Der Wildschütz by Albert Lortzing. The module examination assesses the students' progress annually under performance conditions.

Premiere fever with standing ovations at the Hof Theatre Alexander Rampp performed the role of the Angel of Chastity in Patrick Cassidy's opera Dante - From Inferno To Paradise . The Irish composer Cassidy created one of the most beautiful and impressive pieces of music in film history with his score "Vide Cor Meum" for the psychological thriller "Hannibal." Ivo Hentschel conducted. The opera was the final directorial work of artistic director Reinhardt Friese.

On June 2nd, Alexander Rampp performed at the Künstlerhaus am Lenbachplatz in Munich as part of the Richard Wagner Association Munich's scholarship concert. He sang a duet for bass and baritone from Joseph Haydn's opera * List und Liebe* and the duet "Il core vi dono" from Mozart's opera *Così fan tutte* . As a soloist, he presented Leporello's aria "Madamina, il catalogo è questo" from Wolfgang Amadeus Mozart's opera * Don Giovanni * and Baculus's aria "Fünftausend Tal